Product Code Database
Pieter Meulener or Peter MeulenaerName variations: Pieter Meulenaer, Peeter Meulenaer, Peter Meulener, Peter Molenaer, Pieter Molenaer (Antwerp, baptised 18 February 1602 – Antwerp, 27 November 1654), Antwerp), was one of the leading Flemish painters of battle scenes in the mid-17th century. He also painted landscapes with genre art scenes. Pieter Meulener, Soldiers attacking a coach with travellers at Jean Moust
SInce no early dated works have been discovered, it is likely he initially assisted his father in his workshop. He started out on his own account in 1642. Pieter Meulener at the Netherlands Institute for Art History
He was successful as he was able to rent a luxurious residence. When he died in 1654 he was recorded as having one daughter of 20 years old and a son of 15 years old.
His works can be found in leading museums including the Prado Museum, the Hermitage Museum, the Rijksmuseum and the Louvre.
His palette is closer to that of Peter Snayers, who studied under Sebastiaen Vrancx. After 1645 his colour became clearer under the influence of Dutch battle scene painters, such as Pieter de Neyn, Jan Jacobsz. van der Stoffe and Abraham van der Hoef and in particular Palamedes Palamedesz. (I), to the extent that their battle scenes can be confused.
If the work View of Hemiksem Castle sold at Sotheby's in its London sale of 9 June 1982 as Lot 110 is indeed by Peter Meulener, then it appears that he also painted topographical landscapes. at artsalesindex
Work
General
He was able to establish a reputation as a leading battle painter of battles but was also known for his landscapes. His works are usually dated and signed with "P.MEVLENER". He occasionally used the monogram "PM" (in ligature; the P centrally on top of the M). The works signed with this monogram have long been considered as by Pieter de Molijn.
Battle scenes
His battle scenes depict cavalry skirmishes, attacks on military convoys and on travellers, depicting those subjects from the Flemish side in the Eighty Years' War and the Thirty Years' War.Walter Kalina, Der Dreißigjährige Krieg in der bildenden Kunst. Thesis, University of Vienna, 2001, p. 153 His preferred theme was cavalry engagements and his usual way of representing these was to place a dense cavalry skirmish in a certain area of the composition. Whereas some Flemish war artists such as Peter Snayers painted battle scenes which depicted real battles in a topographical and analytical manner, Meulener only aimed to represent the battles in a general form.Matthias Pfaffenbichler, Das Schlachtenbild im ausgehenden 16. und 17. Jahrhundert. Dissertation University of Vienna, 1987, p. 249
His battle scenes show similarities with those of Sebastiaen Vrancx, the first Flemish artist to attempt this subject matter.Joost Vander Auwera. "Vrancx, Sebastiaen." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 29 October 2016 Some historians believe Meulener may have studied under Vrancx.
Landscapes
His landscapes typically include genre scenes. An interesting example is the Landscape with a Dancing Couple dated 1645. It is painted on the decorated lid of an Antwerp harpsichord. The landscape shows a landscape outside a village where a group of people are enjoying outdoor activities. On the left a couple is dancing to the music of a lute player and a violinist. On the right stands a man with a bag over his shoulder. Pieter Meulener, Landscape with a Dancing Couple at the Rijksmuseum
Collaborations
As was the custom in Antwerp in the 17th century, Meulener collaborated with other artists on compositions. An illustration of such collaboration is An extensive landscape with a cavalry skirmish on a ridge (Sold at Christie's on 6 July 2007 in London, Lot 147) in which he painted the staffage and David Teniers the Younger the landscape. David Teniers II and Pieter Meulener, An extensive landscape with a cavalry skirmish on a ridge at Christie's
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